Texto 1:
The fact that so few African Americans write science fiction is perplexing since they, in a very real sense, inhabit a sci-fi nightmare in which unseen but no less palpable acts of intolerance frustrate their movement; official histories undo what has been done; and technology is too often brought to bear on black bodies. Moreover, the sublegitimate status of science fiction in literature mirrors the subaltern position to which blacks have been relegated throughout American history. The notion of Afrofuturism gives rise to a troubling antinomy: can a community whose past has been deliberately rubbed out, and whose energies have been consumed by the search for legible traces of its history, imagine possible futures?
(Adaptado de DERY, M. Black to the future: interviews with Samuel R. Delany, Greg Tate, and Tricia Rose. In: (Ed.) The Discourse of cyberculture. Durham; London: Duke University Press, p. 179-222, 1994).
De acordo com o texto 1, a escassez de autores afro-americanos em obras de ficção científica representa um
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